An Interview with Suzannah Rowntree
Tell us about yourself!
Sure! I’m everyone’s favourite eccentric Australian spinster aunt. In my life so far, I’m managed to learn horse riding, fencing, various different kinds of dance, a spot of military strategy, a law degree, and some canine-level Latin. I’m not 100% sure what this means for my future adventures once Gandalf arrives to take me on an adventure when I’m 50, but one can only imagine – and I do.
I live with my family in rural Australia, in an unfortunately spider-and-bat-infested attic, where I drink endless cups of fancy tea while binge-reading academic histories of the Crusader States as research for my current magnum opus, Watchers of Outremer, an epic nine-book historical fantasy series of which you hold the second volume in your hands. (Don’t worry – this one stands on its own and you can definitely read it first.)
All of my books have one thing in common: they’re all historical fantasy, set in various different kinds of anachronistic, magical or legendary settings from history. Besides Watchers of Outremer, I’ve also written Pendragon’s Heir, a retelling of Arthurian legend, plus a series of fairytale retellings set in diverse historical settings from Jazz Age New Zealand to medieval Byzantium.
What does NobleBright fantasy mean to you? Why is it important?
When it comes to noblebright fantasy, I always remember CJ Brightley’s definition – noble heroes inhabiting a bright world where virtue is rewarded. Ironically, I don’t consider myself a noblebright author, although many of the books I love and many of the books I write definitely fit into this category. Watchers of Outremer, for instance, was not consciously intended to be noblebright, because the heroes are not always noble and some are definitely in the process of aquiring a grim patina. And even though The Lady of Kingdoms does have a gloriously noble heroine, Marta is a bit of an exception in a world of fairly grim characters (which I hope makes her shine that bit more brightly). I do love noble characters, but as I’ve immersed myself in the history of this period, I’ve found that the vast majority of the historical people I’ve met exist in various shades of grey. And since I’m writing this particular series with very close attention to historical accuracy, that’s what you’ll find in this story.
However, there is part of the noblebright definition that will always, always find its way into my books. Moreover, it’s absolutely central to the theme of The Lady of Kingdoms. As a Christian, I believe that everyone reaps what they sow. Sometimes that reward comes during this life, and sometimes it comes after, but the truth remains that those who do good are blessed. As Marta finds in The Lady of Kingdoms, many would rather use raw power to achieve their goals, rather than trusting in virtue. Yet – as historian Tom Holland points out in his magisterial book, Dominion – the humble service of good people is far more powerful and has done far more good in this world than any effort to achieve lasting change via ruthless power.
So, sometimes I write grimbright fantasy, and sometimes I write noblebright fantasy. The Lady of Kingdoms is absolutely one of the latter, and I think you’re going to love it.
How did you start writing?
I have always loved reading, daydreaming, and good stories. My very first stories were dictated to my father before I could even write, and I started writing my first (never-to-be-published) novel at the age of twelve. I finished that story when I was sixteen, and immediately vowed “never again.”
Reader, I didn’t even last fifteen minutes.
From that moment, I always knew I had to tell stories! I started pursuing a career in indie publishing about seven years ago, after a lightbulb moment in which I realised that I had developed my skills to the point that I would not be ashamed to share my stories with the world.
Now, of course, I look back and laugh at how much I still had to learn!
What are some of your favorite books/authors? Why?
I have so many favourites! How can you ask me to choose? The Lord of the Rings is my all-time favourite, of course. My favourite book of the last 12 months was a gloriously gutwrenching indie fantasy set in an Asian-inspired world, ML Wang’s The Sword of Kaigen. A close second has been fellow Aussie (and close friend) W.R. Gingell’s City Between series, which is almost the only urban fantasy I’ve read of my own free will, but which features some of the most vivid, lovable characters I’ve ever met.
This is a horribly truncated list (what about Shakespeare? Lewis? Austen? Wodehouse? Gaudy Night? The Perilous Gard? The High Crusade?) but when I think about what all my favourite books have in common, I guess the main thing is a meaningful theme. Nearly all my favourite books have deep, important things to say and have stayed with me long after I read them because they didn’t just entertain me, they also touched my heart and mind and left me a bit wiser.
Please tell us about your world and your characters.
The Lady of Kingdoms occurs in a very historically accurate fantasy version of crusader history, in the Latin kingdom of Jerusalem that lasted for nearly 200 years after the success of the First Crusade in 1099. For perspective, that means it lasted more than twice as long as the current state of Israel has so far.
The Crusaders have a reputation these days for savagery and intolerance. In part, that reputation was deserved. But, side by side with that ferocity were genuine, remarkable achievements. For nearly 200 years, their rulers administered an astonishingly wealthy and diverse kingdom, leaving behind them amazing advances in trade, banking, administration, health care and architecture caused by the cross-pollination between east and west. Moreover, despite the violence with which the crusaders established their rule, they then went on to extend legal and social rights to their Muslim subjects, which even today are sometimes quite controversial. It was the peaceable and constructive achievements of the Crusaders, not their military ferocity, that inspired this series; although writing about them has certainly necessitated depicting both.
So many of the books about the Crusades that I read growing up were written from the perspective of western Europe. Like stories of Robin Hood and King Richard the Lionheart, these stories were usually much more interested in what happened after you got back from crusade, than what actually happened in the Holy Land either during or between crusades. So, when I sat down to write this series, I decided never to travel further east than Constantinople. And for my protagonists, I chose a family of native Greco-Syrian Christians to whom both the Turkish and Arabic “Saracens” and the Frankish crusaders would come as interlopers in an ancient land that has been a bone of contention for armies and religions since the dawn of time.
I’m sorry if that was a bit dry. So in closing, let me just say that Marta has been one of my favourite characters since I wrote the first draft of this story in 2015. Her motto might be: “The risk I took was calculated…but man, am I bad at math.” Also, she is partly inspired by my red-headed goddaughter, so if she sometimes seems to have the foresight and self-restraint of a toddler, well, now you know why.
Do you have any works in progress? Tell us about them!
I always have works in progress! Right now, I’ve got two projects on the boil. The third Watchers of Outremer book, A Day of Darkness, picks up the story of another of the Bessarions, John, as he battles to survive demons, assassins, and spies on his quest to put his family back together again. Meanwhile, to give myself a break between Outremer books, I’m also working on a totally different project – a gaslamp fantasy trilogy about monster hunters in 1890s Europe. It’s going to be super fun.
Where can we find you online?
Make sure to visit my author website, suzannahrowntree.site, where you can see all my books and download a free novella filling in what happened to the rest of Marta’s family after Oliveta! Otherwise, I’m always very chatty on Twitter (@suzannahtweets), and I post irregular life updates on Instagram (@suzannahsnaps), plus author updates on my Facebook page at Suzannah Rowntree Author.
Tell us about yourself!
To summarize, I love bright colors, flavored tea, animated shows, and eye-watering spicy food. I have two white cats, can speak around three languages, and I make my own covers.
And I almost can’t work without listening to music, and after the release of each book I put their writing playlists on my social media.
What does NobleBright fantasy mean to you? Why is it important?
I find NobleBright to be the happy medium between the naive/idealistic and gritty/bleak ends of the fantasy spectrum.
The element of choice it portrays is very important, that not much is predetermined, and not every protagonist is inherently a saint without fault or folly, and not every antagonist is wholly evil or irredeemable. Good people can be tempted, be petty and reactionary, or make bad decisions and that doesn’t make them bad. And the ‘bad guy’ can have a very good reason for their actions, have loved ones and do good deeds.
I find it important because it tells the stories of people with choices, not simply steered by destiny. People who aren’t perfect, who don’t really know what they’re doing, or always make the right choices off the bat, but in the end they eventually do the right thing.
Not because it’s expected of them, but because they either have a personal stake in it, or they feel responsible, feel that someone has to do something about the conflict, and if not them, then who?
How did you start writing?
I’ve been making up stories since I learned to speak, then I started typing them out on my mom’s laptop when I learned to read. I was told I couldn’t become a writer without reading actual books first and that started me on my bookworm path, eating my way through my school’s library, and dreaming up ideas for my own novels.
What are some of your favorite books/authors? Why?
The ones that had the biggest impact on me were definitely J.K. Rowling and J.R.R. Tolkein, both for the vivid, detailed worlds and characters they created, and for the wondrous elements of their fantasy.
Please tell us about your world and your characters.
Folkshore is a pseudo-Victorian world of interconnected fairy tale (and mythological) events, each tale is set in a different land and either runs concurrently with or impacts the story that comes after it.
We start the series with Adelaide, our gender-bent Aladdin. She is kidnapped to the Kingdom of Cahraman, by a witch who blackmails her into stealing a lamp from the palace by infiltrating a competition held to find a bride for the Crown Prince. In her trilogy we meet all our future heroines for the retellings of Beauty & the Beast, Cinderella, Sleeping Beauty, Little Mermaid and Hades & Persephone.
Ada’s arc spans three books (Thief, Prince and Queen of Cahraman), we follow her as she braves the competition, makes friends and enemies, falls in love, experiences earth-shaking revelations and perils, and helps save Cahraman from the fate unleashed by what lies within the lamp.
The next arc is two-parts, (Beast and Beauty of Rosemead) follows Bonnie, Ada’s best friend — whose safety was used as the aforementioned blackmail. She’s a bookish, spirited girl with a thirst for adventure who ends up flung across the ocean and locked in a castle full of monsters. There she learns of the curse affecting them and their master, the famed Beast of Rosemead. To save them, and uncover secrets about her family’s past, she ventures into Faerie. Here we are reintroduced to Ornella, our Cinderella, who plays a secondary role.
After Bonnie come the rest of the heroines we met in Ada’s trilogy, each will get only one book this time. First is a Cinderella/Snow Queen crossover set in Faerie, Princess of Midnight — out February 26th.
Do you have any works in progress? Tell us about them!
I do! After Cinderella, Fairytales of Folkshore will continue with three more retellings! First will be Sleeping Beauty (featuring Robin Hood), followed by a Greek mythology-inspired Little Mermaid that will lead into Hades & Persephone, which will wrap up the series.
There are plans for one or two novellas set around the sixth and seventh books, and a prequel set before the events of Thief of Cahraman by fifty years.
I am also planning another story set in the same universe, a reimagining of the Frog Princess that includes a lot of other Russian fairytales and folklore.
After that, I have a roster of ideas for new worlds and series but it remains to be seen which will come first.
Where can we find you online?
You can find me on:
Facebook: @LucyTempestAuthor
Instagram: lucytempestauthor
Twitter: @lucy_tempest
You can sign up for my newsletter at: www.lucytempest.com.
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